Pictured from left to right: each variant of the series 1 Reso-Tone, except 1E. Pedantic? Yes, but a couple of the changes were rather significant. There were several variants within each series. Serial numbers were re-set for the second series, which is why I use this as the defining factor. The second series used conventional shoulderless pivots with a dab of locking compound, as is still used today on the Vito. The first series uses a shoulderless pivot screw with a setscrew to lock it in place (like what’s used on a Conn). There are two distinct “series” of the Reso-Tone. Given the seemingly low production of the 11, I’m assuming a mid-1954 introduction for the 14 knowing I can’t be more than a year off. The 11 was not marked Reso-Tone, but others call it such. It’s unclear, however, if this refers to the Normandy 11 or 14. Selmer, Leblanc began using the Reso-Tone name in September 1953. This page is for the Model 14, the familiar Reso-Tone model made in Kenosha.Īccording to a court case between G. These seem to be rare, although there was a Noblet 11 sold in Europe that is almost certainly the same thing. The first plastic Normandy was the Model 11, made in France. A serial number chart is at the bottom of the page. I’ll cover the early Vitos here eventually as well. These included soprano, tenor and baritone saxophones that feature similar designs though the manufacturer of the instruments varies depending upon the serial number and the year produced.īuyers of a used Vito can usually find an Internet source to verify the serial number on their saxophone.With how many Normandy Reso-Tones I’ve come across, I felt it would be worthwhile to put something together on them as what little information is out there is incomplete. They are also relatively inexpensive given the quality of the instruments (This is no doubt dependent on the country you are purchasing the sax in).ĭefinitely worth considering as a learner instrument, but as with any Sax purchase ensure youve thoroughly checked out what youre buying. Leather pads help ensure a better seal and metal resonators over the pads add to overall sound quality. This design makes it easier for beginners to master the low notes which can be more difficult to reach on other models of saxophones. Many are sought by saxophone collectors and professionals who enjoy the mellow sounds made by the professional models of a Vito.Īfter about 1975, the Vito name was found exclusively on saxophones produced for the student and intermediate level markets. These professional models, which were produced by Leblanc, are rare. These instruments are generally regarded as being of good quality and sound. Both Yanagisawa and Yamaha of Japan also produced a number of Vito Saxophones.

Vito leblanc saxophone serial numbers