This Stark Expo, with its glittery EPCOT Center futurism, is just one of a handful of subplots that litter the story line. Iron Man, in full-suited armor, jets into an arena, part of a World's Fair-esque technology showcase that Tony has put on under the demurely heading of Stark Expo. Vanko, a skilled technician, goes about building his own version of the Iron Man get-up, although this one is fairly low-rent and features electrified tentacles that he can bandy about like whips. His son, Anton Vanko (Mickey Rourke), vows revenge against Stark, who has just unmasked himself on television. 'Iron Man 2' opens in Russia, where an old man, a former collaborator with Tony Stark's father, dies in poverty. Some of that has to do with the ever-increasing slate of superhero movies that have popped up in between the first and second movies, but most of it has to do with the interference of Marvel Entertainment, a corporate entity that seems more interested in setting up a future franchise than actually telling a workable, stand-alone story (more on this in a bit).

Just two years later (think about what a staggeringly huge production this is and how quickly it had to gear up and get done), we're now greeted with 'Iron Man 2.' And, sad to report, it's already feeling a bit same old-same old. No longer just a malcontent billionaire munitions-manufacturer, after a harrowing near-death experience that left a piece of dangerous shrapnel embedded in his chest, he has made it his life's mission to vanquish evil in all of its forms, all the while wearing a cool, handsome, gold-and-red robotish suit. ' I am Iron Man.' With those four words, Tony Stark (Robert Downey Jr.) changed his life forever.

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